Here is a fun little map and visualization tool from Our World In Data.
Category: Beauty and the Beast
episode 30: Beauty and the Beast Featuring Special Guest Kate Henreckson
Episode
Appendices
Curiosities
[display-posts category=”Beauty and the Beast” tag=”curiosities”]
Mea Culpa
[display-posts category=”Beauty and the Beast” tag=”mea-culpa”]
L’esprit de L’escalier
[display-posts category=”Beauty and the Beast” tag= “lesprit-de-lescalier”]
Bibliography
[display-posts category=”Beauty and the Beast” tag=”Bibliography”]
Letterbox
Continue the conversation
Tweet
Well, this is disapointing.
It’s a very compact, Hemingway-esque line, repeated often here in Oak Park. But it appears that Ernest Hemingway never said — or wrote — that his hometown was a place of “wide lawns and narrow minds.”
“We’ve never found it,” says Rose Marie Burwell, scholar and author of “Hemingway: The Postwar Years and the Posthumous Novels.”
Fans of Hemingway may enjoy the full article by Robert K. Elder of the Chicago Tribune.
One of a handful of times that Michial Farmer, David Grubbs, and Nathan Gilmour graced the same physical space and time.
Michial Farmer talks with David Grubbs and Nathan Gilmour about T.S. Eliot’s essay “The Idea of a Christian Society.” This episode comes to you live from the Culture, Criticism, and the Christian Mind conference at Dordt College in Sioux Center, Iowa.
Michial met our special guest Kate Henreckson at the Culture, Criticism, and the Christian Mind conference at Dordt College in Sioux Center, Iowa. Michial discovered Kate played Belle in the stage production of Beauty and the Beast, and she is the biggest fan of the movie Michial has ever met. A perfect guest for our show.
Kate is the arts director at Sioux Center Arts, and you can keep up with her on the Facebook page.
Screw your courage to the sticking place
Lady Macbeth (The Tragedy of Macbeth Act i scene vii)
Find it in a library through WorldCat or purchase at BetterWorldBooks
While I was putting together the bibliography for our Beauty and the Beast episode, I came across this Entertainment Weekly article that explains the reference in the song “Take A Break”
“I actually have a ‘Screw your courage to the sticking place’ quote in Hamilton and it’s a nod to both Shakespeare and Howard Ashman
Lin-Manuel Miranda
Hamilton contains multitudes.
In listening to Belle sing “I want adventure in the great wide somewhere
I want it more than I can tell!” we can hear echoes of Lewis’ idea of our “desire for our own far off country” which he describes in The Weight of Glory:
“In speaking of this desire for our own far off country, which we find in ourselves even now, I feel a certain shyness. I am almost committing an indecency. I am trying to rip open the inconsolable secret in each one of you—the secret which hurts so much that you take your revenge on it by calling it names like Nostalgia and Romanticism and Adolescence; the secret also which pierces with such sweetness that when, in very intimate conversation, the mention of it becomes imminent, we grow awkward and affect to laugh at ourselves; the secret we cannot hide and cannot tell, though we desire to do both. We cannot tell it because it is a desire for something that has never actually appeared in our experience. We cannot hide it because our experience is constantly suggesting it, and we betray ourselves like lovers at the mention of a name. Our commonest expedient is to call it beauty and behave as if that had settled the matter. Wordsworth’s expedient was to identify it with certain moments in his own past. But all this is a cheat. If Wordsworth had gone back to those moments in the past, he would not have found the thing itself, but only the reminder of it; what he remembered would turn out to be itself a remembering. The books or the music in which we thought the beauty was located will betray us if we trust to them; it was not in them, it only came through them, and what came through them was longing. These things—the beauty, the memory of our own past—are good images of what we really desire; but if they are mistaken for the thing itself they turn into dumb idols, breaking the hearts of their worshipers. For they are not the thing itself; they are only the scent of a flower we have not found, the echo of a tune we have not heard, news from a country we have never yet visited.”
I pulled that quote from goodreads. You can support your local library through WorldCat or purchase the book at BetterWorldBooks.
“She would’ve been a good woman,” said The Misfit, “if it had been somebody there to shoot her every minute of her life.”
Flannery O’Connor
Support your local library through WorldCat or purchase at BetterWorldBooks.
From a Vulture recap of Season 4, Episode 5: Kimmy and the Beest!
Hudson tells Kimmy not to worry, because the Beast is a good guy in the end, but she disagrees: “What’s the message here? Take a girl prisoner, tell her what clothes to wear, then she’ll fall in love with you because you didn’t straight-up eat her?… Kiss girls while they’re sleeping? Climb their hair whenever you want? Bust into ladies’ houses and steal a shoe? I always knew this fairy-tale stuff was lousy for girls, but it stinks on ice for boys, too.”
Kimmy’s right, of course, and Titus, who grew up where theater was considered gay by the state Board of Education, is the perfect example of how patriarchy hurts men as much or more than women.
I’ve never seen the show, and so this is not a specific critique. However, the framing in the recap is a perfect example of how our modern imaginations about fairy tales, and indeed anything not of “the moment,” have been so corrupted as to miss the point completely followed by a celebration of the bungle as a form of virtue signaling. I can only hope that our show pushes back against this tendency in some small way.
Man is by nature a social animal; an individual who is unsocial naturally and not accidentally is either beneath our notice or more than human. Society is something that precedes the individual. Anyone who either cannot lead the common life or is so self-sufficient as not to need to, and therefore does not partake of society, is either a beast or a god.
Aristotle
Support your local library through WorldCat or purchase at BetterWorldBooks
The story of the Fisher King, a wounded king whose suffering affects his kingdom and creates a wasteland, has parallels to Happy Valley becoming desolate with the loss of the singing harp.
Update 05.07.2020 – Michial pointed out similar parallels to the enchantment that turns the handsome young prince into the Beast along with enchanting his entire castle, particularly the turning of angels into gargoyles.